I rode up the freight elevator with Johnny.
Before we hit our floor, the box jerked to a halt. And I was shaken from the routine of the day. The doors flipped open as - too surreal - a woman and a monkey joined us. She was cute. But I couldn't take my eyes off the monkey: half-hidden beneath a black tarp, on a rolling, metal cart.
Johnny liked animals. He introduced himself. The cute woman pulled back the cage's covering and Johnny and I both got an eyeful: the monkey had some sort of electrical socket grafted into its skull; a spaghetti plate of wire ran out from its head.
"Cover that thing back up!" I yelled. The monkey shuffled to the corner of his cage; Johnny moved to the corner of the elevator; the woman scowled at me. "Don't raise your voice," she said, "They're VERY sensitive!" Oh, that's right, I thought to myself, the monkey's biggest problem right now is my voice. Thank goodness he has a friend like you: someone willing to wire him up properly.
I was never supposed to have any contact with the animals; Nick assured me that I wouldn't. "Just move the material up there; make your cuts in the wall; shovel out the rubble," that's what he told me. I knew it was wrong, but I needed the money.
Later in the day I ran the saw with the diamond encrusted blade, watching as the plume of white dust billowed out from the cut and filled the room with silica. All the other contractors complained. I wished that I had a mask.
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